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Ibadan International Film Festival: Venture Government, Private Sector Must Embrace – LASU Don—-Glizt, Glamour as Ibadan International Film Festival Rekindles Ibadan as City of Art, Culture, and Entertainment

Globally, the impact of film making cannot be underrated. Apart from the fact that it can be used build positive societal values, its contribution to unite people in a common sense of humanity and shared responsibility gives it power to foster positive changes and developments in any given society, as it can reach a wide audience to inform and inspire change through engaging audiences and reflecting society.

 

Economically, film making industry in Nigeria has continued to break barriers, grossing millions in dollars as it is being watched globally.

 

According to PwC Global Entertainment and Media Outlook for 2020-2024, Nigeria’s media and entertainment industry is one of the fastest-growing creative industries in the world. It has the potential to become the country’s greatest export, with a projected annual growth rate of 8.6% and a compound annual growth rate (CAGR) of 19.3% from 2018-2023.

 

The report further pointed that the Nigeria’s film industry in 2021 contributed 2.3% and about 239 billion naira ($660 million) to GDP and projects that the industry will increase its export revenue earnings to over $1 billion.

 

For much of these efforts to be appreciated and further inform the society on the contributions the industry is making to the Nigerian economic and national landscape, major Nollywood stakeholders gathered in Ibadan last week under the platform of Ibadan International Film Festival.

 

As it was set out, the international festival was a three-day event that gathered major film making players and stakeholders from different institutions to entertain and educate people about films.

The Festival Convener, Usman “Blackky” Ogunlade said that the festival was born out of the idea of putting Ibadan back to its old status of been the cradle of entertainment in Africa which was driven by WNBS/WNTV which later became Nigerian Television Authority.

 

Ogunlade said the birth of NTA have birth to the beginning of filmmaking Africa.

 

In his word, “We set out not for a local film festival but an international film festival because of the status of Ibadan in the World Map. We created an avenue where we can bring the World to Ibadan and also take Ibadan to the world using filmmaking/entertainment.”

 

The event which started on Thursday with workshops on film making was facilitated by Ehizojie Ojesebholo, popular filmmaker known as Jimi Bendel; Godwin Lawani, and Charles Oleghe.

 

The second day of the event featured workshops on Directing for Film/TV which was facilitated by Niji Akanni; Producing for Film/TV by James Omokwe and Jemila Akinwale and Sound Design for Film/TV was facilitated by Segun “Ebonie” Osisanya.

 

This day also screened selected films which were wrapped with an ‘Art Hang Out’ that was supported by the prominent art Curator/Collector – Prince Tunde Odunlade of Tunde Odunlade Arts and Culture.

The last day of the festival featured film screenings and seminar that had the top key players in the business of filmmaking in Nigeria, Biodun Stephen, Olaleken Wasiudeen of LibraTV, Femi Ogunsanwo and Adeleye Fabusoro of the popular family series – Awon Aladun.

Ibadan International Film Festival

Ibadan International Film Festival

In his keynote address, Lagos State University’s Professor of Theatre, Film and Cultural Studies, Professor Tunji Azeez identified the role corporate sponsorship play in event like Ibadan International Film, saying that any nation, such as Nigeria that refuses to consciously and intentionally invest in art, culture and filmmaking does so at its own peril.

 

The former Acting Head of Department of Theatre Arts and Music of the institution lamented that successive Nigerian governments have not woken up to this reality in over hundred years of the industry existence.

 

Professor Azzez emphasized that the birth of Ibadan International Film Festival should be seen as a venture that we all, particularly the government must embrace, pointing that government must put structures and policies in place to guarantee that it is a permanent festival.

 

“Now, let me add that beyond coming to deliver a keynote address at this maiden festival, I am a bonafide son of Oyo state with a passion for the state and the arts and culture sector generally. For this reason, I must emphasize that if we get this right, Ibadan and Oyo state will have cause to attract investors that will impact positively on our people and our culture.”, he said.

Ibadan International Film Festival

Ibadan International Film Festival

The festival received over 10000 entries from over 117 Countries across the world for different categories of awards which went through rigorous screening by the college of screeners and panel of jury which comprises renowned filmmakers and scholars within and outside Nigeria.

How to Tie a Tie won the Best Screenplay; Leiying Luan in Medea won the  Best Actor (Female); Badmus Ibironke in Sky Pie won the Best Supporting Actor (Female); Gerard Depardieu in Umami won the Best Actor (Male); Pierre Richard in Umami won the Best Supporting Actor (Male); Favour Eraikhuvwmem in Baba won the Best Child Actor, while Kiryane Ahmad won the Best Child Actor (Male) in “Merlich Merlich.

 

From Trash To Treasure won the Best Editing; Potato won the Best Short Film; Ami won the Best Nigerian Film; Impossible Love won the Best Cinematography; Mummy Is Not Fine won Best Sound Design; Merlich Merlich won the Best Student Film and Ami won the Best Animation

Other movies that had honourary mentions were Kiitan , Midnight Gift, Invisible Manners; Urgent News Bulletin and Archibald Syndrome.

 

 

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Watch Moment Burna Boy Halts Colorado Show To Exit Front-Row Sleeping Fans

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Burna Boy Halts Colorado Show To Exit Front-Row Sleeping Fans

Watch Moment Burna Boy Halts Colorado Show To Exit Front-Row Sleeping Fans—-Nigerian artist Damini Ebunoluwa Ogulu popularly known as Burna Boy paused his sold-out concert at Red Rocks Amphitheatre in Morrison, Colorado, on Wednesday night after spotting a front-row fan’s girlfriend sleeping, demanding the fan take her home and refusing to perform until they left.

The incident occurred midway through his ‘No Sign of Weakness’ tour performance, attended by 9,500 fans, with videos capturing his insistence on full audience engagement.

Social media reactions have divided fans, with some supporting his stance on concert etiquette and others criticizing the ejection of paying attendees.

Watch Video With X Link Below:

https://x.com/hypetribeng/status/1988882534864724337

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“Wasiu Ayinde” by BhadBoi OML dominates TikTok Trends, FYP in 2025

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BhadBoi OML dominates TikTok Trends

Wasiu Ayinde” by BhadBoi OML Dominates TikTok Trends, FYP in 2025—-TikTok has officially revealed its top Nigeria Song of the Summer for 2025, crowning ‘Wasiu Ayinde’ by BhadBoi OML as the track that dominated feeds and inspired trends.

Toyin Mustapha, TikTok’s Head of Music Partnerships, UK, Ireland & Sub-Saharan Africa, said in a statement that the album ‘Bhadboi’ stood out and gained popularity on the platform stemmed from its unique cultural fusion.

He said that the album masterfully blended a modern pop sound with traditional Yoruba influences from Fuji music, exemplifying how artists are redefining Afrobeats through authentic fusion.

According to him, the song’s success is a perfect example of how the platform’s list reflects a diverse and vibrant mix of sounds.

“While Nigerian artists like Davido, Olamide, and Rybeena topped the charts with their high energy anthems.

“The top ten also saw an impactful mix of gospel-inspired hits, sounds from across Africa, including South Africa and Uganda that resonated deeply with the Nigerian audience.

“TikTok is where music truly comes to life. It is a space where songs are discovered, collective enjoyment is cemented, artists grow and opportunities open up in ways that were not possible before,” Mustapha said.

According to him, what makes TikTok special is the community where fans, creators and musicians all come together to shape culture, and in this case, seasons, in real time.

Mustapha said that the Songs of the Summer showed how powerful that connection was and how TikTok continued to be the platform where Nigerian music could break boundaries and reach the world.

He said that the full list of top 10 trending tracks offered a deeper look into the sonic diversity happening across the Nigerian music landscape.

According to him, collaborations proved to be a powerful formula for chart success, with six collaborations making the list of the top ten songs of the summer.

Mustapha said that the collaborations included “99” by Olamide, Seyi Vibez, Asake, Young Jonn and Daecolm; “With You” by Davido and Omah Lay, and “Gaddem” by Rybeena & Shoday.

He said that Amapiano’s continued influence was also undeniable, with songs like “Ngishutheni” by Goon Flavour, Master KG & Eemoh showcasing the genre’s unstoppable appeal across the continent.

According to the Tiktok boss, a growing appetite for emotionally-driven content such as soulful and inspirational tracks like Chella’s “My Darling”  among others found viral moments alongside the season’s biggest hits.

Mustapha said that these tracks found viral success on TikTok fueled by their high energy and memorable choruses for dance challenges and lifestyle content.

He said that the tracks perfectly captured the creativity and vibrance at the heart of Nigeria’s youth and culture.

According to him, more than just a ranking, the 2025 Songs of the Summer list proves TikTok’s role in pushing a diverse mix of local artists and genres to the forefront.

He said that the platform was cementing its position as a cultural incubator, helping authentic and culturally rooted music find a global audience.

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