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Sean “Diddy” Combs’s former partner Casandra Ventura told jurors at the music mogul’s sex trafficking trial Tuesday how he “controlled” her life and brutally beat her to keep her in line.

Jurors have heard accusations that the hip-hop star used violence and threats of reputational ruin to manipulate women, including Ventura, whom he allegedly abused for years.

“Sean controlled a lot of my life — whether it was (my) career, the way I dressed,” said Ventura, who is heavily pregnant and will take regular breaks from her graphic testimony that could last several days.

“He had many resources” to potentially use compromising sexual videos of Ventura to exploit the celebrated singer and model, she said, pausing to dab her eye with a tissue.

“He would mash me in my head, knock me over, drag me, kick me, stomp me on the head if I was down,” she said, her voice shaking at points.

In a hotel surveillance clip from March 2016 shown to jurors Monday, Combs is apparently seen brutally beating and dragging Ventura — widely known as “Cassie” — down a hallway.

A former security officer at a Los Angeles-area InterContinental hotel, Israel Florez, told the court Monday that he was first on the scene after the incident and that Combs sought to pay him off.

Florez’s testimony provided the foundation for the prosecution to introduce the security footage that was published by CNN last year.

The panel of 12 jurors and six alternates responsible for determining Combs’s fate heard of the famed artist’s explosive outbursts and an attempt to preserve his own reputation and celebrity through bribery.

But the 55-year-old’s defense team insisted while some of his behavior was questionable — at times constituting domestic abuse — it did not amount to evidence of racketeering and sex trafficking with which he is charged.

‘Coercive and criminal’

Combs has pleaded not guilty on all counts, including the racketeering charge that the hip-hop pioneer led a sex crime ring that included drug-fueled sex parties by use of force, threats and violence.

Prosecutor Emily Johnson told jurors Combs had set a man’s car ablaze and dangled a woman from a balcony, and made impossible demands of his lovers and employees.

“Let me be clear,” US attorney Johnson said, “this case is not about a celebrity’s private sexual preferences.”

“It’s coercive and criminal.”

But Combs’s defense lawyer Teny Geragos told jurors the “case is about love, jealousy and infidelity and money.”

Geragos called Combs’s accusers “capable, strong adult women,” and said his situation with Ventura was a “toxic relationship” but “between two people who loved each other.”

“Being a willing participant in your own sex life is not sex trafficking,” she said, adding that the defense would admit there was domestic violence — but that Combs is not charged with such crimes.

Florez’s testimony was followed by a male dancer who engaged in a sexual relationship, often in exchange for money, with Combs and Ventura from 2012 to approximately the end of 2013. He concluded his testimony Tuesday.

Ventura said of the so-called “freak-off” sex parties that she was “just in love and wanted to make (Combs) happy — to a point I didn’t feel like I had much of a choice.”

Combs’s defense team said they would seek to emphasize that Ventura took drugs of her own free will, and behaved erratically.

If convicted, the one-time rap producer and global superstar, who is often credited for his role in bringing hip-hop into the mainstream, could spend the rest of his life in prison.

The proceedings are expected to last eight to 10 weeks, and Combs was joined in the courthouse by family members as well as former lovers including Misa Hylton.

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Watch Moment Burna Boy Halts Colorado Show To Exit Front-Row Sleeping Fans

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Burna Boy Halts Colorado Show To Exit Front-Row Sleeping Fans

Watch Moment Burna Boy Halts Colorado Show To Exit Front-Row Sleeping Fans—-Nigerian artist Damini Ebunoluwa Ogulu popularly known as Burna Boy paused his sold-out concert at Red Rocks Amphitheatre in Morrison, Colorado, on Wednesday night after spotting a front-row fan’s girlfriend sleeping, demanding the fan take her home and refusing to perform until they left.

The incident occurred midway through his ‘No Sign of Weakness’ tour performance, attended by 9,500 fans, with videos capturing his insistence on full audience engagement.

Social media reactions have divided fans, with some supporting his stance on concert etiquette and others criticizing the ejection of paying attendees.

Watch Video With X Link Below:

https://x.com/hypetribeng/status/1988882534864724337

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“Wasiu Ayinde” by BhadBoi OML dominates TikTok Trends, FYP in 2025

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BhadBoi OML dominates TikTok Trends

Wasiu Ayinde” by BhadBoi OML Dominates TikTok Trends, FYP in 2025—-TikTok has officially revealed its top Nigeria Song of the Summer for 2025, crowning ‘Wasiu Ayinde’ by BhadBoi OML as the track that dominated feeds and inspired trends.

Toyin Mustapha, TikTok’s Head of Music Partnerships, UK, Ireland & Sub-Saharan Africa, said in a statement that the album ‘Bhadboi’ stood out and gained popularity on the platform stemmed from its unique cultural fusion.

He said that the album masterfully blended a modern pop sound with traditional Yoruba influences from Fuji music, exemplifying how artists are redefining Afrobeats through authentic fusion.

According to him, the song’s success is a perfect example of how the platform’s list reflects a diverse and vibrant mix of sounds.

“While Nigerian artists like Davido, Olamide, and Rybeena topped the charts with their high energy anthems.

“The top ten also saw an impactful mix of gospel-inspired hits, sounds from across Africa, including South Africa and Uganda that resonated deeply with the Nigerian audience.

“TikTok is where music truly comes to life. It is a space where songs are discovered, collective enjoyment is cemented, artists grow and opportunities open up in ways that were not possible before,” Mustapha said.

According to him, what makes TikTok special is the community where fans, creators and musicians all come together to shape culture, and in this case, seasons, in real time.

Mustapha said that the Songs of the Summer showed how powerful that connection was and how TikTok continued to be the platform where Nigerian music could break boundaries and reach the world.

He said that the full list of top 10 trending tracks offered a deeper look into the sonic diversity happening across the Nigerian music landscape.

According to him, collaborations proved to be a powerful formula for chart success, with six collaborations making the list of the top ten songs of the summer.

Mustapha said that the collaborations included “99” by Olamide, Seyi Vibez, Asake, Young Jonn and Daecolm; “With You” by Davido and Omah Lay, and “Gaddem” by Rybeena & Shoday.

He said that Amapiano’s continued influence was also undeniable, with songs like “Ngishutheni” by Goon Flavour, Master KG & Eemoh showcasing the genre’s unstoppable appeal across the continent.

According to the Tiktok boss, a growing appetite for emotionally-driven content such as soulful and inspirational tracks like Chella’s “My Darling”  among others found viral moments alongside the season’s biggest hits.

Mustapha said that these tracks found viral success on TikTok fueled by their high energy and memorable choruses for dance challenges and lifestyle content.

He said that the tracks perfectly captured the creativity and vibrance at the heart of Nigeria’s youth and culture.

According to him, more than just a ranking, the 2025 Songs of the Summer list proves TikTok’s role in pushing a diverse mix of local artists and genres to the forefront.

He said that the platform was cementing its position as a cultural incubator, helping authentic and culturally rooted music find a global audience.

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